This essay focuses on the varieties of love in Toni Morrison’s novels. Love in a Morrison novel is always embedded in history, each character’s way of loving inflected by legacies from the ancestral past as well as from his or her personal past. Morrison has said that her novels are didactic. They teach a reader to think anew about love, race and gender. I differentiate in this essay between the early novels, which teach through character and plot and an occasional (...) direct authorial statement, and the later novels, starting with Beloved, which challenge a reader’s preconceptions about love through more subtle structural means. For example, deferred disclosures or gaps in meaning in the later novels draw out a reader’s assumptions about love and then, through a narrative twist, prompt the reader to examine and re-evaluate them. Love comes in a different shape in each later novel, surprising conventional expectations – from love as the deep friendship between young girls in Love to Home’s conception of love as a disruptive force that produces profound change in the lover to the characterization of love in Jazz as something you innovate and recreate each moment. The subtle formal techniques that engage a reader’s own values in an ethical dialogue with the text constitute Morrison’s variation on the tradition of call-and-response central to African American art forms. An overview of love in the first four novels is followed by a close reading of three later novels: Beloved, Home and Jazz. (shrink)

La " théorie du tout " désigne cette loi hypothétique qui résumerait en un seul principe toute la diversité de l'Univers. Cet essai a pour objectif de montrer que l'Amour, envisagé comme principe d'accord, est le seul principe raisonnablement envisageable pour tenir ce rôle. L'argumentation s'appuie sur l'histoire des sciences et des techniques comme sur l'évolution de l'Univers telle que nous la percevons aujourd'hui.

In Being and Nothingness (1943), Sartre explains love as a strategy for achieving control over "being-for-others," the objectified aspect of the self-imposed by others' defining looks. Two contemporaneous fictions by Sartre, The Room (1939) and Dirty Hands (1948), expand the notions of love and of being-for-others in surprising directions. Dirty Hands shows the creative, productive potential of being-for-others: Hugo's reliance on the other for his self-definition paradoxically generates his decisive embrace of being for-itself. The Room dramatizes the role of the (...) family in constituting a child's subjectivity: Eve's family situation explains her ontological imprisonment in the dimension of being-for-others. The two stories' tolerant vision of the complex social and psychological reasons for adopting being-for-others as one's dominant modality contrasts with Sartre's rigorous critique of reliance on being-for-others as a form of bad faith in Being and Nothingness. The fictions' enlarged perspective on human love and on being-for-others provides a framework for complicating and critiquing the ontological categories presented in Being and Nothingness. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Jean Wyatt THE CELEBRATION OF EROS: GREEK CONCEPTS OF LOVE AND BEAUTY IN TO THE LIGHTHOUSE A voracious reader all her life, Virginia Woolf stored up patterns and images which she naturally wove into the fabric of her novels.1 Integrating literature of the past into her own works was also an affirmation of her belief that "everything comes over again a little differently," as Eleanor says in The (...) Years. Acutely aware of the prevailing fluidity of human life, Virginia Woolf sought a counterbalance in the principle of eternal recurrence. The whole chain of human history forms a "gigantic pattern, momentarily perceptible." It becomes perceptible when elemental forces in human life coincide with the forms of individuals, "making them symbolical, making them representative."3 In Mrs. Ramsay, Virginia Woolf combines a personal portrait of her mother with an evocation of eternal life forces in the "symbolical outline" (p. Ill) of Aphrodite, goddess of love, beauty and marriage, that Mrs. Ramsay irradiates. Events, too, can be "symbolical, and therefore perhaps permanent," in the words of Bernard in The Waves, when they reflect the continuity of human experience. The dinner party in To the Lighthouse contains ritual elements, reminders that it is one in a series of communal feasts. The search for truth in the midst of human pleasures, by means of human love, recalls one such banquet in particular, the Symposium.'' The central concerns of the Symposium are those of To the Lighthouse: striving for knowledge through love; the desire to create that beauty arouses; the paradox of the eternal in the midst of the transitory. The figures and patterns of Greek literature were part of Virginia Woolf's mental formation. She began learning Greek at King's College in 1897, at the age of fifteen.6 For the next few years, Greek was her chief refuge from a stifling Victorian society. From 10:00 a.m. to 1:00 p.m. every day she read Greek: Homer, Aeschylus, Euripides, all of Sophocles, Plato. Twice a week she met for Greek lessons, first 160 Jean WyATT161 with Clara Pater, then with Janet Case. Her letters speak of Greek as "the greatest of comforts to me" (April, 1900), "my daily bread, and a keen delight to me" (June, 1900); it "has so much attraction for me... that I don't want to do anything else" (February, 1905).8 A diary entry from 1924 shows how Greek "worked its way" into her life. Upon meeting a herd of cattle, "I waved my stick and stood at bay; and thought of Homer.... some mimic battle. Grizzle grew more and more insolent and excited and skirmished about yapping. Ajax? That Greek, for all my ignorance, has worked its way into me." Seeing Grizzle as Ajax is not different in kind from transforming Mrs. Ramsay into Aphrodite, Mr. Carmichael into Poseidon. Greek was in the forefront of Virginia Woolf's mind in 1924 because she had been reading Greek steadily since 1922 in preparation for the article "On Not Knowing Greek." "The amount of reading... that went into the production of that essay... was remarkable," comments Quentin Bell. She published the essay in 1925, the year she began To the Lighthouse. "On Not Knowing Greek" shows that Virginia Woolf knew the Symposium well: she discusses it for four pages, not with the analytical lens of a literary critic, but with loving familiarity. She first read the Symposium when she was about sixteen, but her intimacy with it suggests that she must have read it more than once. At the center of the Symposium is Diotima's doctrine: man has to work through a series of human loves to arrive at the eternal. Lily pursues a similar quest for knowledge through love. She loves Mrs. Ramsay, but, unable to satisfy her love on a personal level, casts about for a way of reaching "the spirit in her, the essential thing" (p. 76). She finally finds a way of loving that takes her to the essence of things when, ten years after Mrs. Ramsay's death, she sees and loves a Mrs. Ramsay who transcends the individual to become the form of love and beauty. To understand the... (shrink)

The four talks collected here transcribe lectures delivered to an audience of children between the ages of ten and fourteen, under the auspices of the little dialogues series at the Montreuil's center for the dramatic arts. Modeled on Walter Benjamin's Aufklrung for Kinderradio talks, this series aims to awaken its young audience to pressing philosophical concerns. Each talk in God, Justice, Love, Beauty explores what is at stake in these topics as essential moments in human experience. (Indeed, the book argues (...) that they are constitutive of human experience.) Following each, Nancy's audience is given a chance to engage with him in a process of philosophical questioning; the texts of these touching and probing exchanges are included in the volume. Despite the fact that these lectures were delivered to an audience of children, the intellectual level they achieve-while remaining easily comprehensible-is astounding. No attempt is made to simplify Nancy's positions or to resolve the complexities that arise in the course of the talks or the question periods that follow. The work of opening performed here is fully in keeping with the strategy of Nancy's philosophy as a whole. Thus, for readers unfamiliar with his work, God, Justice, Love, Beauty will function as an excellent introduction to Nancy's larger corpus. As varied as the individual talks are, they share the motif of incalculability or the immeasurable. Broadly speaking, one could say that the various ways in which Nancy approaches this motif exemplify his deconstructive approach to think of human existence. As well, those treatments exemplify his conviction that the task of thinking is to develop original ways of communicating the incalculable.God, Justice, Love, Beauty is thus a skillful reminder that philosophy is important to all of us. The book is also a model of intellectual generosity and openness. Seamlessly moving from Schwarzenegger to Plato, from Kant, Roland Barthes, and Caravaggio to Caillou, Harry Potter, and the pages of Gala magazine, Nancy's wide-ranging references bear witness to his commitment to think of culturein its broadest sense. (shrink)

Jean-Paul Sartre's famous autobiography of his first ten years has been widely compared to Rousseau's Confessions. Written when he was fifty-nine years old, The Words is a masterpiece of self-analysis. Sartre the philosopher, novelist and playwright brings to his own childhood the same rigor of honesty and insight he applied so brilliantly to other authors. Born into a gentle, book-loving family and raised by a widowed mother and doting grandparents, he had a childhood which might be described as one (...) long love affair with the printed word. The Words explores and evaluates the whole use of books and language in human experience. (shrink)

A collection of five essays of French philosopher Nancy, originally published in 1985-86: The Inoperative Community, Myth Interpreted, Literary Communism, Shattered Love, and Of Divine Places.

This is be our second course adoption anthology drawing from this solid foundation.

The millennial interest in the fable told by Apuleius in The Golden Ass has produced periods of intense preoccupation. Of these uses of the legend none is more interesting, varied, and profound—none possesses greater implications for contemporary life and manners—than the obsessive concern of pre-Romantic and Romantic writers and artists. Hellenistic, Roman, and early Christian culture had produced at least twenty surviving statues of Psyche alone, some seven Christian sarcophagi that used the legend, and a set of mosaics on a (...) Christian ceiling in Rome from the early fourth century;1 and of course to late antiquity belongs the distinction of having produced the seminal telling of the tale by Apuleius in about A. D. 125. But what we possess from that remote time is thin and lacks the power to engage the modern spirit. The allegorizing and erotic responses made in the Renaissance, Mannerist, and Baroque culture produced monuments of painting that the later period cannot rival; but the impregnation of literature by the legend was slight, and the intellectual or moral content was often only a perfunctory and dutiful addendum. The revival of the story in the aesthetic movement of the late Victorians and early moderns has its examples of beauty, particularly in Rodin and in the lush harmonies and occasionally piercing melodies of César Franck's Psyché, a tone poem for chorus and orchestra; but the long retellings by Morris, Bridges, and John Jay Chapman oppress with luxuriant sweetness and remain of interest only as period pieces. · 1. See Elizabeth Hazelton Haight, Apuleius and His Influence , p. 164, and Maxime Collignon, "Essai sur les monuments grecs et romains . . . ," in Bibliothèque des écoles françaises d'Athène et de Rome , fasc. 2, pp. 285-446, esp. pp. 364, 436-38. Jean H. Hagstrum, John C. Shaffer Professor of English and Humanities at Northwestern University, is currently preparing a book on the theme of love in European literature and art from the mid-seventeenth century through the Romantic period. He is the author of books and articles on Blake and Samuel Johnson, and of The Sister Arts, a study of the relations of poetry and painting from antiquity through the eighteenth century. (shrink)

It has been not atypical for commentators to argue that Aristotelian friendship features disinterested concern for others, that is, concern for others that is completely independent of one's own happiness. Often, the relevant commentators point to some normative features of Aristotelian friendship, wishing goods for the other's sake and loving the other for herself, where these are assumed to be disinterested. While the disinterested interpretations may be correct overall, I argue that wishing goods for the other's sake and loving the (...) other for herself constitute a dubious foundation for disinterested interpretations. For wishing goods for the other's sake does not involve a reason for action on the other's behalf, and the primary point of loving the other for herself is the role of the other in facilitating one's own happiness, specifically conceived of by Aristotle in terms of one's own virtuous activity. (shrink)

"Image of God, man finds himself only in God." Such was Pascal's quest and, thanks to Jean Mesnard, anyone can now not only read and love Pascal, as Nietzsche did, but can even come to understand him.

Jean-Luc Nancy discusses his life's work with Pierre-Philippe Jandin. As Nancy looks back on his philosophical texts, he thinks anew about democracy, community, jouissance, love, Christianity, and the arts.

While humanists have pondered the subject of love to the point of obsessiveness, philosophers have steadfastly ignored it. One might wonder whether the discipline of philosophy even recognizes love. The word philosophy means “love of wisdom,” but the absence of love from philosophical discourse is curiously glaring. So where did the love go? In The Erotic Phenomenon, Jean-Luc Marion asks this fundamental question of philosophy, while reviving inquiry into the concept of love itself. Marion begins his profound and personal (...) book with a critique of Descartes’ equation of the ego’s ability to doubt with the certainty that one exists—“I think, therefore I am”—arguing that this is worse than vain. We encounter being, he says, when we first experience love: I am loved, therefore I am; and this love is the reason I care whether I exist or not. This philosophical base allows Marion to probe several manifestations of love and its variations, including carnal excitement, self-hate, lying and perversion, fidelity, the generation of children, and the love of God. Throughout, Marion stresses that all erotic phenomena, including sentimentality, pornography, and even boasts about one’s sexual conquests, stem not from the ego as popularly understood but instead from love. A thoroughly enlightening and captivating philosophical investigation of a strangely neglected subject, The Erotic Phenomenon is certain to initiate feverish new dialogue about the philosophical meanings of that most desirable and mysterious of all concepts—love. (shrink)

Jean-Luc Marion advances a controversial argument for a God free of all categories of Being. Taking a characteristically postmodern stance, Marion challenges a fundamental premise of both metaphysics and neo-Thomist theology: that God, before all else, must be. Rather, he locates a "God without Being" in the realm of agape, of Christian charity or love. This volume, the first translation into English of the work of this leading Catholic philosopher, offers a contemporary perspective on the nature of God. "An (...) immensely thoughtful book. . . . It promises a rich harvest. Marion's highly original treatment of the idol and the icon, the Eucharist, boredom and vanity, conversion and prayer takes theological and philosophical discussions to a new level."--Norman Wirzba, Christian Century. (shrink)

This book is a rich collection of philosophical essays radically interrogating key notions and preoccupations of the phenomenological tradition. While using Heidegger’s Being and Time as its permanent point of reference and dispute, this collection also confronts other important philosophers, such as Kant, Nietzsche, and Derrida. The projects of these pivotal thinkers of finitude are relentlessly pushed to their extreme, with respect both to their unexpected horizons and to their as yet unexplored analytical potential. A Finite Thinking shows that, paradoxically, (...) where the thought of finitude comes into its own it frees itself, not only to reaffirm a certain transformed and transformative presence, but also for a non-religious reconsideration and reaffirmation of certain theologemes, as well as of the body, heart, and love. This book shows the literary dimension of philosophical discourse, providing important enabling ideas for scholars of literature, cultural theory, and philosophy. (shrink)

Resistances to sexual and gender rights are shifting and need new theorisations. This article develops the analytical concept of heteroactivism by exploring its relation to abortion debates in Ireland. Heteroactivism as an analytical category examines resistances to sexual and gender rights that seek to reiterate the place of the heteronormative family (both in terms of gender norms and heterosexuality) through activisms that can stand against new legislative orders. The article investigates three texts to explore how the ‘Vote No’ campaign in (...) Ireland discussed ‘loving both’, but in the main thrust of the poster campaign instead focused on the foetus as an ‘unborn child’. Using textual and visual analysis, we show the creation of Ireland through seeking to ‘love both’ and create a distinction from the dangers, and foreign contagion, of England. The article concludes by arguing that ongoing work is needed to explore heteroactivism and its diverse manifestations, including in abortion debates. (shrink)

We seem to be abandoning the codes that told previous generations who they should love. But now that many of us are free to choose whoever we want, nothing is less certain. The proliferation of divorces and separations reveal a dynamic we would rather not see: others sometimes reject us as passionately as we are attracted to them. Our desire makes us sick. The throes of rivalry are at the heart of our attraction to one another. This is the central (...) thesis of Jean-Michel Oughourlian's _The Genesis of Desire_, where the war of the sexes is finally given a scientific explanation. The discovery of mirror neurons corroborates his ideas, clarifying the phenomena of empathy and the mechanisms of violent reciprocity. How can a couple be saved when they have declared war on one another? By helping them realize that desire originates not in the self but in the other. There are strategies that can help, which Dr. Oughourlian has prescribed successfully to his patients. This work, alternating between case studies and more theoretical statements, convincingly defends the possibility that breakups need not be permanent. (shrink)

Sacrificing one's own interests in order to serve another is, in general, supposed to be a good thing, an example of altruism, the hallmark of morality, and something we should commend to (but not always require of) the entirely-too-selfish human beings of our society. But let me recount a story that I hope will persuade the reader to start questioning this conventional philosophical wisdom. Last year, a friend of mine was talking with me about a mutual acquaintance whose two sons (...) were in the same nursery school as our sons. This woman, whom I will call Terry, had been pregnant with twins, but one of the twins had died during the fourth month of pregnancy, and the other twin had just been born prematurely at six months with a host of medical problems. We were discussing how stressful this woman's life had been while she was pregnant: she was a housewife, and her two boys, aged three and five, were lively, challenging, often unruly--a real handful to raise. Her husband worked long hours in a law firm, so the vast majority of the childcare and household chores fell on her shoulders. "You could see that she was exhausted by end of the first trimester," I maintained, "because her eyes were tired, and her cheeks were sunken--she looked almost like a cadaver." My friend agreed. I went on to blame her exhaustion on the fact that she had to do too much during a pregnancy that anyone would have found difficuIt. "I don't understand her husband," I maintained. "Surely he could how badly she looked. If he had concern for his future children, why didn't he do something to help her so that the pregnancy had a chance of going better? And if he loved her, why didn't he cut down his hours so that he could help out at home? Surely he could see just by looking at her that she was in trouble," My friend said nothing at the time, but after a week she called me, and told me that my criticism of this woman's husband had bothered her all week. "You're wrong about Terry's husband not caring enough about her, They have a good marriage," she insisted, and then she continued: "You know, you're not like us, We accept the fact that we should do most of the childcare and housework.. (shrink)

In this paper, I argue that Aristotle's basic principle, that all friends love only because of the lovable, is egoistic. First, I argue that 'the lovable' (τὸ φιλητὸν) refers to that which appears to contribute to one's own happiness. Second, I argue that the lovable is the final cause of love. This means that in loving only because of the lovable, all friends love only for the sake of what appears to contribute to their own happiness. Further, Aristotelian love for (...) others not only requires that these others appear to contribute to one's own happiness but also prioritizes one's own happiness; Aristotelian love is therefore in some sense egoistic. (shrink)

The possible and revelation -- The saturated phenomenon -- Metaphysics and phenomenology: a relief for theology -- "Christian philosophy": hermeneutic or heuristic? -- Sketch of a phenomenological concept of the gift -- What cannot be said: Apophasis and the discourse of love -- The banality of saturation -- Faith and reason.

In seven essays that draw from metaphysics, phenomenology, literature, Christological theology, and Biblical exegesis,Marion sketches several prolegomena to a future fuller thinking and saying of love’s paradoxical reasons, exploring evil, freedom, bedazzlement, and the loving gaze; crisis, absence, and knowing.

« L’existence a-t-elle un sens quelconque? – cette question aura besoin de quelques siècles pour seulement être entendue de façon complète et dans toute sa profondeur. » Nietzsche « Parce que la philosophie s’adresse à l’homme dans sa totalité et dans ce qu’il a de plus élevé, il faut que la finitude s’indique dans la philosophie d’une manière tout à fait radicale. » Heidegger.

"This wonderfully eloquent and playful colloquy of two brilliant minds gives new life to the old notion of Dialogue, a sadly forgotten form now.... I "love" this book!

Starting from the Greek definition of philosophy as the love of wisdom, and from the semantic richness of the Arabic word ikma, several fourth- and fifth-century writers tried to establish the position of philosophy in the Islamic cultural system by identifying it with wisdom. For them this wisdom is tantamount to the recorded in the ancient books and taught by the prophets. Philosophers are described as the prophets' disciples or witnesses. However, depicting philosophy as eternal wisdom only gives the discipline (...) an illusory advantage. Ultimately it reduces it to pure repetition and therefore precludes any change. (shrink)

Dans les sociétés démocratiques contemporaines, les individus revendiquent le droit d'aimer librement. Ils sont attachés à la réussite de leur vie sentimentale et à l'épanouissement de leur sexualité. Mais le corps épris nous permet-il d'accéder à l'existence heureuse que nous désirons? Dans ce livre, Jean-Marie Frey met au jour les ressorts de l'inquiétude suscitée par l'amour charnel. Il montre comment la pudibonderie et le libertinage expriment, chacun à leur manière, une tentative pour se rassurer. Les prudes désireux de voiler (...) les femmes et les libertins exhibant un corps morcelé dans l'imagerie pornographique, n'éprouvent-ils pas les uns et les autres une crainte devant la chair désirable? L'auteur oppose les figures du pudibond et du libertin à celle d'un amant disposé à jouer le jeu d'une passion amoureuse à la fois inquiétante et joyeuse. (shrink)

While friend/enemy are commonly perceived to be mutually constitutive opposites, it is not so evident that hatred is the opposite of love. Hatred is oriented by two ideologies specific to European thought—‘nature’ as an illusory universal, and the ‘ego’, distinct from the ‘I’, as an irreducible expression of identity. The origins of racial hatred in naturalised hierarchical classification at the time of European colonial expansion demonstrates how naturalism and egoism combined to produce an over-valuation of one’s own self or group (...) as authentic or pure. Drawing on Pascal, Fanon and Derrida, this essay challenges the autonomous, self-loving and naturalised sense of self. It calls for education as a form of action against racial hatred, including hate-speech. It suggests that the dignity or absoluteness of each individual or group should be thought as a ‘sense’ which cannot be reduced to a meaning. This is in contrast to hatred which presupposes closed or solidified meanings. (shrink)

This article investigates the role of shame in shaping the epistolary form and aesthetic structure of Alice Walker's The Color Purple. I argue that the epistolary framing presents a crisis in the development of Celie's shamed self‐consciousness. To explain the connection between shame and Celie's self‐consciousness, I build on Jean Paul Sartre's theory of existentialism and explore three phases of Celie's evolution as it is represented in three phrases that I identify as significant transitions in the text: “I am,” (...) “But I'm here,” and “It mine.” The first section examines how shame fractures Celie's self‐consciousness; the second focuses on how Celie positions and locates herself in the world; and the third explains how Celie mobilizes shame by connecting her self‐consciousness to a past that is shameful but also generative. I conclude by considering the novel's emergence in the Cosby/Reagan era in order to illuminate the mutual constitution of black familial pride and black racial shame. (shrink)

The Swiss psychologist Jean Piaget devoted his life to following, step by step and lovingly, the development in children of the art of reasoning. In the course of the successive stages of this development, the child's view of the world changes in nature. Similarly, from its earliest infancy, medicine has viewed living things in successively different manners. For medicine, it is true, the stages overlap; one may still be using an ancient discourse from which another has daringly freed itself. (...) Nevertheless, for the sake of clarity in this analysis, I will try to define successive epistemological attitudes as if they had represented a regular progression of medical thinking. (shrink)

In Method in Theology (chapter 3) Lonergan points to a parallel between instances of a mediated return to immediacy: “Finally there is a withdrawal from objectification and a mediated return to immediacy in the mating of lovers and in the prayerful mystic’s cloud of unknowing.” Soto’s essay explores the question: “If it is possible, as some couples report, for the mating of lovers to be a prayerful, mystical experience, what does this mean?”Soto explores the physiological, psychological and spiritual dimensions of (...) the lover’s immediacies. She finds three centers of natural immediacies in the lovers’ return via their lovemaking, and one supernatural immediacy. They include a primitive psychological state, Lonergan’s notion of spontaneous intersubjectivity, and the self-presence of contemplation. All three immediacies have transformative potential for the lovers, and position them for mystical experience. The fourth center of immediacy is the supernatural gift of the indwelling Christ. His presence in the lover’s awareness is mystical immediacy. Christ is mediator and mediated in the couple’s objectification of their mystical immediacy and their ensuing graced living, or, life of prayer.Through scholarly research and supporting, concrete interviews of couples, Soto sketches out some of the ways the lovers cooperate with the precept to “be in love.” The ethic is framed around the developments and conversions in Lonergan’s trajectory that moves from eros to friendship and to a special order of charity. (shrink)

The paper offers a glimpse at the diversity of what is labelled Philosophy of Culture, and then brings out some important issues concerning culture. The first section expounds etho-analysis as a way of doing philosophy of culture, introducing the notions of solicitator, sensance and ethos. It also gives an idea of how its program has been conducted with respect to love or truth. Etho-analysis describes the ideal part of culture, interpreting it as revealed by concrete practice. The second section discusses (...) whether and how far etho-analysis embraces the cause of truth and validates the scholastic tradition which has provided tools for it. Etho-analysis claims to formulate true descriptions. It understands meaning as unfolding its complication thanks to traditional tools, and recognizes the ethical significance of the community of science. (shrink)

This paper examines one approach to the ethics of companion animals, which emerges from the dominant historical tradition and is increasingly familiar in everyday life as well as in work on companion animals in the social sciences. I label it the “utilization with welfare-safeguards” model, or, more gently worded, “seeking benefits while ensuring welfare.” Some of the “benefits” considered are complex ones (like guiding the sight impaired) and others simpler (like reducing stress or providing affection). I explore several problems involved (...) in this approach (including the sometimes jarring inappropriateness of “benefit” terminology). I then offer an alternative account where the primary moral obligation toward companion animals is to develop, nurture, respect, and protect the loving relationship between them and their human companions, since thriving in such a relationship, I claim, has become part of their evolved telos (to use Bernard Rollin’s term)or evolved nature. This priority naturally leads to ensuring welfare, but the highly pro-active approach involved takes the obligation beyond standard welfare provision and “TLC” (“tender loving care”). Some implications of this position are explored. (shrink)

The nine essays in The Appearing of God are situated on the fluid border of philosophy and theology, and follow a path leading from classic modern philosophical discussions of experience to some leading themes in contemporary phenomenology. After an introductory exploration of Kierkegaard's classic text that straddles the border between philosophy and theology, the reader is introduced to Husserl's account of perception, with its demonstration that the field of phenomena is wider than that of perceptible entities, allowing phenomena that give (...) themselves primarily to feeling. Husserl's theory of reduction is then subjected to a critique, which identifies phenomena wholly resistant to reduction. John Paul II's encyclical on Faith and Reason elicits a critical rejection of its attempt to reify the boundary between natural and supernatural, the author asserting in its place that love is the distinguishing mark of the knowledge of God. This theme is continued in a discussion of Heidegger's Being and Time, where a passing reference to Pascal invites interrogation of the work's 'methodological atheism', which is found to leave more room than appears for love of the divine. The next three chapters deal with the themes of Anticipation, Gift and Self-Identity, all exploring aspects of a single theme, the relation of present experience to the passage of time, and especially to the future. The final chapter puts that theme, together with the theme of love and knowledge, to the service of an enquiry into how theology as an intellectual enterprise relates to the practice of worship. (shrink)

In Laudato Si, Pope Francis calls for a theology respectful of creation. I here suggest that balancing Karl Rahner’s theology of creation with his sacramental theology brings us closer to providing such a theology. Rahner’s sacramental theology fittingly complements his theology of the incarnation, by highlighting the significance of the redemption of creation accomplished in Christ. Matter and nature are redeemed and must now be listened to because they also have been made to bespeak of the divine re-creative power. Revealing (...) life to be a gift and consecrating all natural beings as creatures endowed with a purpose, the Eucharist leads those taking part in it to perceive in nature a sacrament of God’s love. In the Eucharistic liturgy, they celebrate and reconnect with (their own) nature, which is healed and transformed to become an instrument for God. (shrink)

In Laudato Si, Pope Francis calls for a theology respectful of creation. I here suggest that balancing Karl Rahner’s theology of creation with his sacramental theology brings us closer to providing such a theology. Rahner’s sacramental theology fittingly complements his theology of the incarnation, by highlighting the significance of the redemption of creation accomplished in Christ. Matter and nature are redeemed and must now be listened to because they also have been made to bespeak of the divine re-creative power. Revealing (...) life to be a gift and consecrating all natural beings as creatures endowed with a purpose, the Eucharist leads those taking part in it to perceive in nature a sacrament of God’s love. In the Eucharistic liturgy, they celebrate and reconnect with nature, which is healed and transformed to become an instrument for God. (shrink)

The postmodern emphasis on human finitude encourages the reconsideration of religious traditions, and more particularly of Christianity. The doctrine of a vulnerable God dying on a cross speaks to postmodern civilization. Jesus Christ infuses transcendence into the realm of immanence by assuming the human predicament to its bitter end. The present essay critiques the recent attempts of deconstructionist philosopher John D. Caputo and systematic theologian Roger Haight to provide postmodern expositions for the Christian doctrine on the person of Jesus Christ. (...) With the help of the fundamental notion of agapeic love, we demonstrate that in Jesus Christ, Caputo's philosophy of the event and Haight's theology of the symbol can be meaningfully integrated and human finitude responsibly overcome. (shrink)

The postmodern emphasis on human finitude encourages the reconsideration of religious traditions, and more particularly of Christianity. The doctrine of a vulnerable God dying on a cross speaks to postmodern civilization. Jesus Christ infuses transcendence into the realm of immanence by assuming the human predicament to its bitter end. The present essay critiques the recent attempts of deconstructionist philosopher John D. Caputo and systematic theologian Roger Haight to provide postmodern expositions for the Christian doctrine on the person of Jesus Christ. (...) With the help of the fundamental notion of agapeic love, we demonstrate that in Jesus Christ, Caputo's philosophy of the event and Haight's theology of the symbol can be meaningfully integrated and human finitude responsibly overcome. (shrink)

We have never come face to face with ‘Philosophy’, that goddess who was courted, scorned, hated, and betrayed throughout history by those who claimed to represent her - we only come into contact with her officers: philosophers, that is, human beings who exist in an economic context, have religious ideas, support political opinions, find a way through their emotional history, are paid by institutions, fanstasize about a vision of hope, have appetites, can fight, are mad keen to be noticed and (...) recognized and above all frequently make certain types of statements that have claims to validity. So philosophers are not only creatures in history but also historical creatures who interrogate the meaning of the world and particularly their own work. However, one of the tricks of instrumental rationality - if we follow Marx's analysis - is to focus first on the product rather than the producer. This is the basic reason for the fact that a passion for the exegesis of philosophical texts often conceals philosophers’ practices. And this is why - where African philosophers are concerned, and they are not the only ones - people focus first, with benign curiosity, on their books, the theories that they expound and that may provide matter for heated discussion, but questions are hardly ever asked about the stance of African philosophers, in other words, the actual conditions in which their position is created, the particular abilities of African philosophers to achieve their emergence as ‘philosophers’, and their recognition in the international arena. The rhetoric about the acceptance of multi-culturalism argued on the basis of the complexity of present-day societies often hides practices and processes of legitimation that are revealed by their relationship to those two phenomena, economics and the state. The love of little abstractions that philosophy resists in the name of its historical position, the haste with which African philosophers, among others, clamour for recognition from their peers in other cultures are partly intended secretly to conceal their true relationship to money. Not that ‘disinterested’ philosophers ‘in love’ with knowledge do not exist, but we need to recognize that they often fail to say, as Adorno does in Dialectique négative, that ‘philosophy's freedom is simply the ability to allow its non-freedom to be expressed’. The purpose of this article is less to question philosophers’ capacity for knowledge than to urge them to have the courage to proclaim and challenge their non-freedom. (shrink)

Signe des temps, Cafebabel, est un webzine gratuit paneuropéen publiant quotidiennement en six langues . Il vise l’eurogénération, « la première génération qui vit l’Europe au quotidien ». S’appuyant sur un réseau de 31 rédactions locales dans 13 pays européens, coordonnées par une rédaction centrale à Paris, les articles partent de toutes ces rédactions, sont traduits par un réseau de traducteurs bénévoles, puis revus pour le travail final de secrétariat de rédaction par des journalistes professionnels, en fonction du lectorat de (...) l’aire linguistique à laquelle la traduction s’adresse sans nécessairement être juxtaposée sur l’original. La diversité des thèmes, la jeunesse du lectorat comme celle de la rédaction, l’amour des langues partagé par ses lecteurs, la diversité de son réseau et l’optique de proximité de Cafebabel en font un média européen original, différent de Courrier international, Euronews, Arte ou Presseurop.“Cafebabel” is a sign of the times, a free-access, pan-European webzine published every day in six languages . Its target audience is the “Eurogeneration”, “the first generation of people whose daily lives are European”. A network of 31 editorial committees in 13 European countries, coordinated by a central editorial board in Paris, sends out articles that are translated by a network of volunteer translators, before reaching the final copydesk stage where they are revised by professional journalists according to the linguistic area targeted by the translation, and not necessarily in juxtaposition with the original. The variety of topics, the youthfulness of both readership and writers and their shared love of languages, the diversity of its contributors and the “corner café” feel of “Cafebabel” have made it a highly distinctive Europe-wide media outlet, on a different register from “Courrier international”, “Euronews”, “Arte” or “Presseurop”. (shrink)

A ready answer to the question of Empedocles’ thinking about Good and Evil is to be found in Aristotle, who provides us with this simple rule of thumb : Good is associated with Love, and Evil with Hate. Fundamentally obvious as that rule may be, we need to go beyond Aristotle’s words. This article investigates several topics : fire, the sun, water, the hoard of divine thought, reincarnation, Empedoclean ethics, and, finally, the Blessed Ones. Complexity rules our quest to determine (...) what belongs to the Good and what belongs to the Bad. There are times when Love takes advantage of Hate’s ability to cause separation. The sun, manifestation par excellence of fire, is loaded with ambivalence in Empedocles – even though the high value placed almost universally on light is a commonplace in Greek thought. Empedocles is torn between his sense of wonder at the works of Aphrodite and his pessimism on recognizing the infernal cycle in which mortals are involved. (shrink)